ViewPoint Gallery 3rd Thursday Series May 17 at 7pm. “Soul Connections: Therapy + Photography” by DeeDee Morris

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“You helped me move away from trying on cookie cutter perfection, and helped me remember all of who I am” (past client).

Photography to reveal connections, both to the self and other, to reveal light where people believe is only shadow, to enable, to comfort, to bring hope. Photography as a tool. Let’s explore.

dee dee Morris, MEd (Counselling Therapy), is a fine art portrait photographer who focuses on storytelling, raw connection and relationship to both self and other.

Open to all – free to attend

1272 Barrington St., Halifax

902-420-0854

info@viewpointgallery.ca

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ViewPoint Gallery March 2018 exhibition

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TOTEMS

 a member solo show by Sandy Caines

Exhibition:  March 1 – April 1, 2018

Opening Reception:  Thursday, March 1st, 6-8pm

Artist’s talk:  Sunday, March 11th at 2 pm

 Open to the public • Free to attend

 

This exhibition features a series of images created over more than a decade. Rather than focusing on a topic or subject however, these photographs are brought together by how they have been finished (either through mechanical or digital processes).

​When images are transformed into Totems, portals open to whole new worlds of strange and mysterious forms; some are primal and animalistic, while others are bizarrely humanoid and even familiar.

Sandy Caines has used a camera to explore colour and light for twenty years, fascinated by the beauty of the natural world as well as the hand of decay on the leftovers of man. Sandy began her journey by marrying her love of gardens with the need to express herself creatively. Early successes lead to her exploring other subjects such as ruined houses and wrecked cars. In recent years, she has extended her vision to encompass landscapes.

PICTURING HEALTH opening reception Thurs., Feb. 1, 6-8pm at ViewPoint Gallery.

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Please join us  this Thursday, Feb. 1, 6-8pm for the opening of our February 2018 exhibition “Picturing Health”, presented in collaboration with the Robert Pope Foundation. This exhibit explores the relationship between wellness and creativity.

Exhibition Running: February 1 – 25, 2018
Opening Reception: Thursday, February 1, 6 – 8 pm

Artist talk: Sunday, February 11, 2 pm.

Robert Pope (1956-1992) was a dedicated Nova Scotia artist who died at the age of 35 after a ten year battle with cancer. In Illness and Healing, Images of Cancer, (1991) he wrote: “Art is powerful preventive medicine. Looking at a picture is like walking through an endless series of doors, with each succeeding door leading us deeper and deeper into a rich experience. This journey stimulates our minds, our emotions, our souls; it makes us more alive. Ultimately the esthetic experience heals us and makes us whole.” 

In 2017, ViewPoint Gallery issued a call for submissions to Nova Scotia photographers. The call asked for images that explore the relationship between WELLNESS and CREATIVITY. Images created by ten photographers were juried for the exhibit.

A catalogue is being produced by the gallery for this exhibition.

1272 Barrington St., Halifax
902-420-0854
info@viewpointgallery.ca

http://www.viewpointgallery.ca/

INTRODUCTION TO LUKE POWELL, BY LUKE POWELL.

Luke Powell will be giving a public lecture at ViewPoint Gallery on Thursday, October 19 at 7pm. In collaboration with Photopolis.

Actually I probably should say more rather than less on this occasion. Afghanistan is such a contentious issue that I need to explain my position on all of that in some detail and how and why I spent so much time there. If I can do that in four reasonable paragraphs, then I can make it clear why the photographs themselves are intentionally not directly political. Because I was making the photographs for the Afghans and other Central Asians of the future I chose to do so in a very classical style that would most likely be comprehensible by people several hundred years from now. Because this is a photography forum not a political one it seemed logical to talk about the circumstances of my work in the artist’s statement and get that out of the way. Then I can talk about Dye Transfer, the films and cameras that I used, and how I clean, balance, and crop my images and organise the books. The books and shows are all about positive images and the beauty of my subjects, and my desire to stick to this may make more sense if you first know how much time I have spent in the minefields and hospitals.

 
ARTIST STATEMENT:

Luke Powell has degrees in religion from UNC and Yale Universities, and starting in 1978 he spent three summers during his college years working on excavation sites in Israel/Palestine. There he learned that when Communism fell apart and was no longer a proper bugaboo to justify the American arms industry, Islam would be set up as the next enemy. Travels in Central Asia made it clear that Afghanistan was the most remarkable example of a people living in the way described by both Moses and Confucius, so Powell set about preserving images of those lovely, innocent people before they could be turned into enemies of the West. He took photographs in Afghanistan through the 1970s, and he left the country three days ahead of the coup in 1978 that brought a communist government to power.

During the 1980s and 1990s Powell built a Dye Transfer lab in Middlebury, Vermont and produced an exhibition of photographs called The Afghan Folio. The show contained 32 Dye Transfer Prints on 11×14 inch paper, mounted 16×20, and there was an optional eight-frame display on the Dye Transfer Process. These prints were framed with aluminium museum frames and plexiglas, and they traveled in four 68 lb crates. During these years it was possible to show beautiful images of a Muslim subject, because the Afghans were fighting the Russians, making the work politically correct. The show traveled to over 120 museums and municipal and university galleries in the US and Canada. Gorbachev saw the show at the Smithsonian and asked that it be shown in Moscow and Leningrad. As soon as America invaded Afghanistan, however, requests for these exhibitions at American and Canadian museums ceased abruptly.

In 2000 the Afghan Government (under the Taliban) invited Powell back to Afghanistan to make photographs. When he reached Kabul he found that the only Westerners there were Christian missionaries, who were welcome and present in significant numbers. This welcoming attitude toward Christians and Jews on the part of the Muslims in Afghanistan was the continuation of a tradition going back to the years before the invasion of Alexander, when the Zoroastrians made all other monotheists welcome. During most of 2000 Luke traveled all over Southern Afghanistan photographing uncleared minefields with teams of Afghans supervised by the United Nations. He continued working with various UN agencies in Afghanistan through 2003, and during this period he traveled very widely throughout the country. He returned to the US at the end of 2003 and promptly moved to Canada, where he became a citizen in January 2014. This request for him to speak in Halifax in 2017 is the first time that he has been asked to speak or show his work in over a decade. In early 2013 Steidl Publishers in Germany printed Afghan Gold, a large volume with 204 photographs of Afghanistan. This volume received very few if any reviews in the press in the US, Canada, or Europe. However, American born Jewish friends of Powell did write a nice review of the book that was published by The Kyoto Review, in Japan.

During those four years from early 2000 through 2003 Luke Powell shot tens for thousands of colour slides, and he had an astonishing opportunity to travel once again throughout Afghanistan. During that early period of the American occupation he could still safely travel alone in most remote areas. In Nova Scotia for the next thirteen years the total indifference from the the art and museum scene in the West has left Luke free to come to terms with this mountain of new material. Most of the technical terms used for digital colour photography and probably most of the early designers came from labs using Dye Transfer, which Kodak abruptly discontinued in 1994. Powell continued printing with Dye Transfer for several more years during which time he began using Photoshop,  and he maintained a large web site. By the time he returned from four years of very active photography in Afghanistan, Photoshop and Bridge had matured and were ready for serious professional use.

When Luke speaks in Halifax he does not want to talk about the politics of Afghanistan. Hence this long artist’s statement — to get that explanation over with. What he wants to talk about is the photographic and graphic dimensions of his work. In his photographs he tries to show the original Afghanistan, before and aside from the most recent Western attacks. He almost never makes visual references to political issues, and a majority of the photographs are landscapes. However, his landscapes and street scenes almost always contain figures, often in motion. It is the graphic problems that he faces day to day that he wants to discuss. He chose to shoot in a classic style that would have been comprehensible to most artists of previous civilisations, so that they stand the best chance of being appreciated by future generations of civilised people, long after the modern, neo-Viking, world of self-evident truth that we live in has long since crashed and burned, and we are remembered mostly because of the nuclear wastelands.

TWO big openings at ViewPoint this week!

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This Thursday, October 5, 6 to 8 pm is the opening reception for SHOWCASE, the gallery’s October exhibition. SHOWCASE is a group exhibition presenting selections of the best work by ViewPoint Gallery’s exhibiting members. SHOWCASE is an opportunity to see selected images which best represent each artist’s creative focus.

On Friday evening ViewPoint is hosting the opening gala for PHOTOPOLIS: the Halifax Festival of Photography. Please join in the festivities  on Friday, October 6, 7 to 10pm. You’ll have a chance to meet the Photopolis organizers plus the photographers whose work is on exhibit city wide during the month long festival. Cash bar and appetizers.

See you there!

ViewPoint Gallery, 1272 Barrington St., Halifax. http://www.viewpointgallery.ca/

 

ViewPoint’s September exhibition.

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New Light: Emerging Photographers –  a group guest show

Exhibition Running: September 7 – October 1, 2017
Opening Reception:  
Thursday, September 7, 6 – 8 pm
Artist talk:  Thursday, September 17, 2pm

Viewpoint Gallery seeks to support emerging artists in the community through the New Light series of annual exhibitions. This year’s invited photographers are Michael Clutson, Debbie Currie, Stephen Phillips and James Rapaport.

ViewPoint Gallery

1272 Barrington Street Halifax, Nova ScotiaCanada    B3J 1Y5  902-420-0854

You’re invited to the opening reception for a Berridge/Simpson collaboration at ViewPoint Gallery. Thurs Aug 3, 6-8 pm.

“Imagined Landscapes”.  A collaborative exhibition of photography and writing.

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 Photography by John Berridge

Poetry by Anne Simpson

Exhibition: August 2 – September 3, 2017
Opening Reception: Thurs, August 3, 6-8pm

Artist’s Talk: Sunday, Aug 13, 2 & 3:30 pm
Open to the public • Free to attend

Artist’s Statement

Photographed in natural light, the images in this exhibit are the result of experimenting with the effects of light filtered through juxtaposed pieces of coloured glass. The resulting abstracts, always a wonderful surprise, are replete with a wide range of colours and their possible shades. –  John Berridge

​The poems of Imagined Landscapes were written specifically for this exhibit. While the photos and poems have their own integrity, rather than illustrating each other, they “speak” in a conversation. The inspiration comes from Buddhist “tonglen” meditation, or sending compassion in each of the four directions. –  Anne Simpson